10 UMMA Objects
10 UMMA Objects
Leonard Freed (American (North American))
Hassidic Men Walking Amongst Sand Piles, Israel
1968
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.330
Leonard Freed (American (North American))
Jewish Men Praying, Jerusalem, Israel
1968
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.331
![In this strongly vertical composition, a street crowded with groups of people and individuals—all rendered in silhouette and casting long shadows—recedes into space, seen from above. The street is lined with two- and, at most, four-story buildings on both sides. A hilly landscape rises behind the buildings, and a stormy-looking sky occupies the top portion of the image. In the right foreground, a woman is seen from the back as she stands on a small balcony looking down the street at a procession underway. The procession follows a banner depicting a saint, and proceeds towards the viewer. Some of the people in the street wear pointed hoods over their heads.<br />
The image is covered with diagonal slash marks. The print shows incredibly rich textural effects as a result of intense drypoint scraping, extensive biting in the darkest areas, and printing on very thick wove paper. <br />
Signed in the plate, l.l., recto, "Bone / 19[?]5"](/media/W1siZiIsIjIwMjIvMDUvMjUvMmtwOTZvdnV4Y19kZWZhdWx0LmpwZyJdLFsicCIsInRodW1iIiwiMjQweDIwMCJdXQ?sha=c198c6fcc0b214aa "In this strongly vertical composition, a street crowded with groups of people and individuals—all rendered in silhouette and casting long shadows—recedes into space, seen from above. The street is lined with two- and, at most, four-story buildings on both sides. A hilly landscape rises behind the buildings, and a stormy-looking sky occupies the top portion of the image. In the right foreground, a woman is seen from the back as she stands on a small balcony looking down the street at a procession underway. The procession follows a banner depicting a saint, and proceeds towards the viewer. Some of the people in the street wear pointed hoods over their heads.<br />
The image is covered with diagonal slash marks. The print shows incredibly rich textural effects as a result of intense drypoint scraping, extensive biting in the darkest areas, and printing on very thick wove paper. <br />
Signed in the plate, l.l., recto, \"Bone / 19[?]5\"")
Sir Muirhead Bone (British (modern))
A Spanish Good Friday
1925
Gift of Dr. Thomas DeKornfeld
1985/2.15
Lovis Corinth (German (culture or style))
A Mighty Fortress Is Our God (Eine feste Burg ist unser Gott), illustration #29 from Timotheus Klein's Martin Luther (Berlin: Fritz Gurlitt Verlag, 1920-21)
1920
Gift of the Ernst Pulgram and Frances McSparran Collection
2007/2.108
![A battle scene with the sun's rays shining down through the clouds. At the center, a man has fallen from his horse and lays on the ground. From the clouds above, a voice comes down, inscribed "SAVLE SAVLE QVID ME PERSEQVERIS." At base of print is written "Totus lesus in Paulo consumptus est. Chrysost. Iesus-Christ s'est enployé tout entier en ce mystere."](/media/W1siZiIsIjIwMjIvMDUvMjUvOGcyaGdvdWg0al9kZWZhdWx0LmpwZyJdLFsicCIsInRodW1iIiwiMjQweDIwMCJdXQ?sha=ad996f49c3134544 "A battle scene with the sun's rays shining down through the clouds. At the center, a man has fallen from his horse and lays on the ground. From the clouds above, a voice comes down, inscribed "SAVLE SAVLE QVID ME PERSEQVERIS." At base of print is written "Totus lesus in Paulo consumptus est. Chrysost. Iesus-Christ s'est enployé tout entier en ce mystere."")
Jacques Callot (French (culture or style))
Conversion of St. Paul [La Conversione de St. Paul]
Gift of Professor Walter M. and Nesta R. Spink
2013/2.544
Leonard Freed (American (North American))
Jewish Funeral, Jerusalem, Israel
1972
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.332
Leonard Freed (American (North American))
Preacher on the Street, New York City, USA
1980
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.340
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